As I mentioned a while ago, Sean Rubin and I did a story that appeared in Mouse Guard: Legends of the Guard. Our story, "Potential", centered around a lone guard trying to stop a bear from attacking a small settlement near the edge of the Territories. Being able to contribute to David Petersen's incredible world was a tremendous honor in and of itself, but I was completely unprepared for the events that followed, such as signing copies of the hardcover at New York ComicCon, seeing the collection on the New York Times Best Seller List, and being able to meet and correspond with several of the other creators (all absolutely brilliant people). And now Legends of the Guard Volume 1 has been nominated for the "Best Anthology" Eisner Award! David himself picked up a nomination for his cover work on the Legends series - and those were some incredible covers!
Rachel and I are, as always, continuing work on Beyond the Western Deep as well! During this crucial phase of development, Rachel is experimenting with various color techniques to try and match the tone of the story and the concept, as well as not being too time-consuming to generate.
The images below are process pieces of various coloring experiments - neither of which are entirely representative of our "final" direction, but were important steps in trying to weed out problem areas in the various styles. Things like the emphasis on white colors in the top-left and an overall subdued emphasis on the center character have also been addressed in more recent color passes.
The coloring shown here has already been rendered mostly moot by follow-up color passes as Rachel tweaks and experiments with the palette, style, and overall detail. Hopefully by the time the next blog comes up, I'll be able to share a more finalized look at the colors of Beyond the Western Deep.
The images below are process pieces of various coloring experiments - neither of which are entirely representative of our "final" direction, but were important steps in trying to weed out problem areas in the various styles. Things like the emphasis on white colors in the top-left and an overall subdued emphasis on the center character have also been addressed in more recent color passes.
The coloring shown here has already been rendered mostly moot by follow-up color passes as Rachel tweaks and experiments with the palette, style, and overall detail. Hopefully by the time the next blog comes up, I'll be able to share a more finalized look at the colors of Beyond the Western Deep.